1. |
The Divide
04:24
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As for me well I’d have followed you into a black night,
With stars in my eyes.
But in a never ending trade so the night begets the day,
I lost sight of you.
So here is the divide, though I’ve been calling out for you,
You’re just like water in my hands, you were only passing through.
Here along the edge of town we drink the moment or the moment will drink us down.
And I was never one to claim, but I was glad to share your name,
And say it outloud.
But here is the divide, though I’ve been calling out for you,
You’re just like water in my hands, you were only passing through.
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2. |
Technicolor Skin
03:12
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I want the one with the technicolor skin.
I want so bad that I can’t think of anything else to believe in.
I am afraid, how I behave in my dreams,
Cause in my dreams I am really badly behaved.
I want the sheen that turns a body to glass,
I want to see myself in what I want, reflecting back.
I get so hungry when the lights go out, I can’t control myself,
I do not know myself. I take as much as I can possibly get,
It’s all for one, and all for one, it’s all for one, and one for none.
I want to wake with a body full of fire,
I want to live in the place that is the center of desire.
I am afraid how I behave in my semi-conscious state.
I am depraved, how I behave in my semi-conscious state.
I get so hungry when the lights go out, I can’t control myself,
I do not know myself. I take as much as I can possibly get,
It’s all for one, and all for one, it’s all for one, and one for none.
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3. |
Caught Around Your Heart
03:20
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I could arrange to come by your house,
Here are the words to banish all doubt.
I had a dream you lay down beside me,
I had a dream it rose beyond rising.
I’d like to get caught around your heart,
I make a really good start when I get caught around your heart.
Love is a lark, love is at the reins, love as a crutch will only betray you.
You learned to call me by a new name,
Save for the words the feeling is the same.
That’s when you got caught around my heart,
You make a really good start when you get caught around my heart.
I’d like to get caught around your heart,
I make a really good start when I get caught around your heart,
Man I really make my mark when I get caught around your heart.
I’d like to get caught around your heart.
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4. |
Big Voice Nowhere
03:57
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Sleepin, hope no one can see in, cause when I’m dreamin,
I’m really badly behaving.
Morning, I watch the light make the familiar shapes of my room.
I try to listen hard to the big voice calling from nowhere,
But I’m not always sure I can handle what I’ve been handed,
Or if I can stand it, or if I can.
Crying, I see inside when, you shine a light on how you’ve been feeling. Holding, it’s the returning of the feeling, I can bring you back to yourself.
I try to listen hard to the big voice calling from nowhere,
But I’m not always sure I can handle what I’ve been handed,
Or if I can stand it, or if I can.
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5. |
Ordinary Lies
04:39
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Call and answer, Mama’s dancer, minces no words,
Just so things can get better.
I am not your rival, you did not betray me.
Have you seen me lately? I still hear you calling me out.
Something about these ordinary lies, stacked up,
They are where I’ve been hiding. Are you around?
Can I call you in five?
I’ve made an arrangement of words to cover the space dividing.
One and four will cut you, two and three will kiss you,
I am so afraid I’d miss you.
It’s all smoke and mirrors, trying to love you cleaner,
I bury my face in the water.
Something about these ordinary lies, stacked up,
They are where I’ve been hiding. Are you around?
Can I call you in five?
I’ve made an arrangement of words to cover the space dividing.
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6. |
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After everything was said then,
All the blinking lights of Vegas came and tucked you under, quiet.
I got drunk and walked around, stumbling, lonely in the loneliest town.
Could you come pull out your arrows?
And remind me why I paint your name across my lifeline?
Quiet. Desert stars and desert streetlights blended,
Crooked words, our fraying ties, we count them.
The Colorado pumped into a fountain,
The boulevard is resting in the mountain.
Lots of all this loving is just guessing, and finding strength to meet you in the morning.
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7. |
Interlude
01:43
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8. |
Funeral Dance
03:27
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It’d take a funeral dance to derail my mind,
Bodies sway in line, and bend like the wind in the pines.
And just as I’ve arranged myself I’m plucked off the vine,
I listen for the chimes, but it’s always the dead keeping time.
A call to arms, abandon caution, takes a strong, strong love,
To age past blossom.
When I dream, I’ve got my arms around the sun,
When I wake, I’ve got my arms around someone.
I am as capable as I am divine, the body fails in time, you replay your life. So when you get to me, will you take your time?
I wonder where it flies, the memory that’s free of a mind.
A call to arms, abandon caution, takes a strong, strong love
To age past blossom.
When I dream, I’ve got my arms around the sun,
When I wake, I’ve got my arms around someone.
It’d take a funeral dance to derail my mind.
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9. |
Brakeless Heart
04:05
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In those early hours, I’d wear my dress for you.
I could take a running start, I had a brakeless heart.
Afternoons came easy, on the cloudless days,
Oh but I could see the coming dark, you rearranged my heart.
And as for the dreams we’ve had, we find ourselves committed,
To what’s left after they have split apart.
In some cruel derailment, like a trackless train,
You will live for your song, I will get dragged along.
I turn on the radio, to escape my fate,
I like to hear a loving tone, I take the long way home.
And as for the dreams we’ve had, we find ourselves committed,
To what’s left after they have split apart.
How I learned to love you, how I learned to lie,
And to live in the space between, in the twilight of my dreams,
Well, that’s not me.
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10. |
Somebody Already Knows
02:40
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Why the cold case? Where is the progress?
I begin to doubt.
That was stained glass, caught in a cracked mirror,
I am folding and holding all my reasons for it.
But somebody already knows, somebody already knows,
Some part of me already knows.
Here on the long road, age of the ageless, here with the west on fire.
Moon in a dead tree, big smoke in the tall grass,
I want to feel that I’m holding all my reasons for it.
But somebody already knows, somebody already knows,
Some part of me already knows.
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Layperson Portland, Oregon
Julian Morris situates his music at contrasting intersections. It's a music that is at once emotionally urgent and yet brimming with graceful patience; tender and vulnerable while still forceful and resilient.
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